Not a Lot On The Lot
I’m in the early stages of starting a video ministry at the church. We’re looking at cameras. I have some great ideas from the Willow Creek Arts Conference. I’m talking video editing with one of the guys from Austin’s own eleven72 here in a few weeks. I bought In the Blink of an Eye by Walter Murch, a bible, of sorts, for video editors. I’m getting The Cutting Edge: The Magic of Movie Editing via Netflix in a few days. Obviously, I’ve got the bug, the fever, and what can cure my fever? More cowbell. Or a nice camera. Or both. Also, a MacBook Pro, a few hard drives, new network cables, Final Cut Pro, and a book on how to use Final Cut Pro.
As such, I’ve taken to watching On the Lot. It’s an American Idol-type show, but for filmmakers. It’s not bad, but it’s not great. I read an article just yesterday detailing how the show could be better and I agreed with every suggestion. (Of course I can’t find the article at the moment). Right now, it’s just a short film festival show (you can see the contestants’ films on their site), with no behind-the-scenes on how the directors actually pulled off shooting a 3-minute comedy in a week, or showing the tensions and frustrations and confrontations that are sure to have happened; isn’t that reality programming at its core?
Sure, the films are entertaining, whether they’re truly good or good in the same way movies on Mystery Science Theater 3000 are. But you’d think it’d be better with Mark Burnett and Steven Spielberg’s names attached to it. Maybe Steve’s too busy trying to make Harrison Ford young. I’m glad the show is on. It’s showing me that it is difficult to be a filmmaker. Pointing a camera does not a filmmaker make.
I don’t want to make films, but I do want to tell stories. Stories that demand a reaction.
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