BlakeAtwood.com

ScriptShadow is the brain-child of Carson Reeves (@scriptshadow) in which Mr. Reeves succinctly summarizes, grades, and analyzes upcoming Hollywood scripts, often including a link to read the script itself. It’s a fascinating look at what sells and consequently gets made in Hollywood. It’s an equally beneficial site for any type of writer. I only found out about it a few weeks ago, but became a quick fan.

At the end of most reviews, Carson tells “What I Learned” from reading the script. I was especially taken with his recent conclusion based off the script for Renko Vega and the Jennifer Nine:

What I learned: Is there a theme more powerful than redemption? I struggle to think of one. Maybe it’s the man inside me that feels stained, that feels like I need to somehow find a way to “right” things. I don’t know. Maybe it’s why I like noir so much. Characters trying to wash the blood from their hands, characters trying to balance a ledger that’s been corrupted by their own misdeeds and mistakes. I connect with these characters, and I love it go on the journey with them as they try to break through a wall and come out a more honorable person. It’s not only cathartic, there’s something about it that’s peaceful to me. In Renko Vega’s case, what’s so astounding to me is that he’s a character that re-discovers his own worth. He’s a character that learns how to believe in himself again. And belief, the ability to hope and to dream and to matter, that’s a powerful thing. I think, as writers, we shouldn’t be afraid to aim high. To dream big. Don’t be afraid. And writing about redemption, well, I think that’s as high as you can get…

I know that if I ever write something of worth, redemption will be the arc. What is it in that kind of narrative that is so universal? Why does it resonate so deeply within us? What is it about The Shawshank Redemption, Simon Birch, Gran Torino, A Tale of Two Cities, or Braveheart or any other number of films that allow us to glory in the death of a beloved character? Or that make us believe that wrong can be made right? And that death, in some form or fashion, is always a part of that equation?

What are some other films worth watching with redemptive themes? Why do you think they resonate?